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Articles

Karen Karnes photographed by Robert F. George, Vol. 6, No. 1, 1977.
My parents immigrated to this country from Russia . . . Their background was not in art and they probably would have discouraged me if they thought I'd "end up" as an artist.
Harry Davis
It may be wondered why I, as a potter, have chosen a title which obviously has more to do with sociology than pottery...
A Carved and Incised Bowl with a Double Bottom 7 1/8" (0.180) in diameter, 4 7/8" (0.125) deep
Like all Pre-columbian pottery, this bowl was not made on a wheel...
They laughed, back in 1947, when we began collecting materials to build our own power plant...
Kiln construction for the studio potter hasn't changed much in the United States in the last century or two...
Gold pale swatches of light cobalt blues and rutile flesh pinks have formed three heads of sky wandering thru the clouds...
When the muscles ache, the back groans, and the bank account refuses the purchase of a clay mixer, there is only one solution: improvise. Potters had been making their own clay long before the advent of clay mixers and pug mills...
The idea of mixing media is an interesting challenge. The most important part involves the interplay of the sciences of various media to create a new form...
Portable Salt Kiln
This is it! The solution to pollution!
Glass Head Sculptures
I believe that the Studio Glass Movement will prove to be one of the most important events in the history of glass...
Is the dualistic distinction between the 'arts' and the 'crafts' a valid one that we want to support and perpetuate?
Photo: National Park Service
I stand at the edge of an enormous hole. The huge pit drops off suddenly at my feet, and my breath sucks in with a gasp. The cavity is 400 feet deep...
I can't resist the urge to react to the comments of various potters and teachers in your last issue, although the wisest remarks are probably by Bob Arneson...
Tom Coleman Teapot
Turned to porcelain because he wanted a background to paint on. Likes the smooth sensuality of porcelain, its translucency, and difficulty to throw. "My first porcelain formula was like cream cheese — you slammed the door and it would collapse."