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Simone Leigh, Trophallaxis, 2008-2017. Collection Pérez Art Museum Miami. Copyright: © Simone Leigh. Photo: Farzad Owrang.

The Dynamics of Transfer

Chenoa Baker

How do bees feed together and survive food insecurity? Trophallaxis. Trophallaxis is the biological exchange of chemicals from one organism to another for feeding, communication, and immunity. Labor, protection, and morbidity are part of this term, as they affect both larvae and adult-to-adult feeding.

The Simone Leigh work bearing the namesake of this principle, trophallaxis, is a part of sustained investigations of chandelier-like work and the idea of breasts as vessels: Emperor Jones (2009), Queen Bee (2008 – 2012), Kool-Aid (2012), You Don’t Know Where Her Mouth Has Been (2012), and Invisible Manish (2015) are examples of this type. The chandelier mount displays the breasts from above, where the viewers' experience is from below, an infant’s view, revering them as a source of life and nourishment, or perhaps, showcasing them as receptacles or spectacles. This view both glorifies them and bears the memory of the display of Black women’s bodies, like the history and legacy of Sarah Baartman, an enslaved African woman who was taken to Europe in the nineteenth century to have her body put on display in freak show, carnival, and human curiosity attractions. 

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Chenoa Baker

Author Bio

Chenoa Baker

Chenoa Baker is an executive, community builder, and arts leader whose work bridges the non-profit, public, and private sectors and academia. She brings rigor and cultural richness to programming, editorial content, and exhibitions.

 

Baker has worked on major exhibitions, including Gio Swaby: Fresh Up at the Peabody Essex Museum; Touching Roots: Black Ancestral Legacies in the Americas at the Museum of Fine Arts, Boston; and Simone Leigh at the Institute of Contemporary Art, Boston. Her writing appears in Hyperallergic, The Observer, The Brooklyn Rail, Material Intelligence, other outlets, and several print catalogues.

 

As the new executive director and editor of Studio Potter, Baker continues to build connections across the field while advancing her curatorial and editorial practice. Her current projects include co-curating a temporary public art project in Calgary (2028) and Ifé Franklin: Orun/Portal at the Fuller Craft Museum (March 6, 2027). Her practice has garnered Art Critics International, WBUR, and Rabkin Foundation awards.

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