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Portugal. Glazed earthenware, epoxy resin, lacquer and paint. 34.25 x 29.5 x 18 in. 2005.
Portugal. Glazed earthenware, epoxy resin, lacquer and paint. 34.25 x 29.5 x 18 in. 2005.

Blue

Betty Woodman

When asked what my favorite ceramic color was, without a moment’s hesitation I declared blue. Now as I sit in my studio trying to write about this, I look around and at first glance see absolutely no blue. Well, not quite no blue - but I see green, yellow, rust, a lot of red and orange, white, gray, and black. So why do I say with great certainty that blue is my favorite color? 

I think it is because of the universal his­toric importance of cobalt and blue in the development of glazed ceramic decoration. As soon as I pick up a brush and paint with some form of cobalt on a piece, I am putting it into the context of ceramic history, from China to Persia to Holland, Portugal and Italy. As certainly as by making a vase the central element of my pieces, I am connecting them to all the vases or images of vases that have ever been made.

Beyond this, it is constant at any tempera­ture and atmosphere. It is a rich and beautiful color in all of its variations. 

Horizontal Garden. Glazed earthenware, epoxy resin, lacquer and paint. 29 x 32 x 18 in. 2005.          A Group of Glazed Amphoras. Glazed earthenware, epoxy resin, lacquer and paint. 33 x 30.5 x 19.5 in. 2005. Photograph courtesy of Max Protech Gallery, New York.

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Author Bio

Betty Woodman

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Betty Woodman (1930-2018), graduated from the School for American Craftsmen at Alfred University in 1950. In her six-decade career, she taught twenty years at the University of Colorado, Boulder, and worked in her studios in Florence, Italy, and New York. She's had over one hundred solo exhibitions worldwide, including a 2006 retrospective at the Metropolitan Museum of Art (the first living female artist to do so), and Breakfast At The Seashore Lunch in Antella, at Salon 94 in 2016. 

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